電影製造歷史 The Future of the Past: Who Makes History ?

對過去日本帝國的作為和影響,當代東北亞各國有著不同的詮釋與記錄;這如同德國處理過去時,難免刻意或不經意地進行篩選與剪裁,許多官方記載的當代的事件和現代史的解讀,往往只是現實的刪節版。如果官方歷史只選擇性地記錄事件,那麼是不是存在不一樣的歷史敘事能夠超越政治的詮釋?大眾的歷史記憶是不是可以與官方和學術性的歷史書寫相抗衡?歌德學院特別邀請韓、日、中、台等東北亞各國與德國的電影學者,共同策劃「電影製造歷史」專題,探索電影這大眾媒介中所呈現的大眾歷史。馬祖新村的桃園光影是一個具有歷史意義的場地,在此舉辦「電影製造歷史」專題,更彰顯了電影所呈現的大眾記憶與官方歷史的對比。

To what extent have the countries in Northeast Asia come to terms with Japan’s imperial past depends on the official historical discourse that each of these countries takes on. In comparison, those who frequently cite Germany as the “exemplary” nation
so often ignore the fact that the history of Germany we know of now is also an abridged version where facts are altered and edited out.
If the official writing of history is composed only of selective events, is there another narrative in historical theory that goes beyond political propaganda? Is it possible that this “public history” is not merely a supplement to, but also an alternative to the official record?
In collaboration with the Goethe Institute, “The Future of the Past: Who Makes History?” is brought to you by film scholars from Germany and the region of Northeast Asia. Taking place at the Taoyuan Arts Cinema, a historically significant site of its own, this film series explores the cinematic representation of the public history, showing us how history as remembered collectively by the public differs from the official, academic writings.


牯嶺街少年殺人事件 A Brighter Summer Day
楊德昌(1947-2007)Edward YANG|1991|台灣Taiwan|237min |劇情片


香蕉天堂 Banana Paradise
王童 WANG Toon|1989|台灣Taiwan|145min|劇情片


為愛出走 Barbara
克里斯欽.佩佐 Christian Petzold|2012|德國Germany|105min|劇情片


鬼子來了 Devils on the Doorstep
姜文 JIANG Wen|2000|中國China|162min|劇情片|黑白彩色


回不去的時光 Phoenix
克里斯欽.佩佐 Christian Petzold|2014|德國Germany|98min|劇情片


超級大國民 Super Citizen Ko
萬仁 WAN Jen|1995 |台灣 Taiwan |120min|劇情片


儀式 The Ceremony
大島渚(1932-2013)Nagisa Oshima|1971|日本Japan|123 min|劇情片


玄海灘為證 The Sea Knows
金綺泳(1922-1998)KIM Ki-young|1961|韓國South Korea|117 min|劇情片|黑白